文献综述：
这次论文的创作参考以下的材料：
1. 梁基永《 中国浅绛彩瓷画赏玩 》浙江摄影出版社 2005年
2. 顾德润《 浅绛山水——中国画技法示范•白描•工笔•写意 》湖北美术出版社
3. 徐一轩 孙信一《怎样画浅绛山水》 上海书画出版社 1996-12
4. 王中年《新编芥子园画传（山水篇浅绛山水）》 人民美术出版社 1999-03
tp:// 百度图片搜索之桂行创。
选题目的和意义：
第一张《田园杂兴》通过对写意山水画技法的尝试选择一种适合自己的作画风格，并加以自己的性格和对色彩的喜好，完成写意山水画一张。加入自己对颜色的喜好（浅绛） 并根据地域特点选择作画内容（石湖 范成大表现热爱家乡恬静闲适的田园生活），加上自己对传统兼工带写山水画的理解以及现代山水画家的创新理念的学习创作一幅兼有宋、元南派山水技法又兼有清浅绛瓷器色彩以及现代审美理念的反映家乡风貌的作品。
第二张在第一张《田园杂兴》完成了自己的想法后，尝试在中国画的继承和创新的发展规律有所掌握的基础上，对自己这一创作方向做更进一步的体会与探索，创作一幅《行春杂咏》反映清乾隆钟爱石湖山水，使得清代不少文人墨客亦接踵而来，石湖上方山行春桥名气倍增。争取在前一幅作品的基础上把对传统技法的理解有更深的体会以及对家乡风貌的表现能力上得到加强。
研究方案：
在两幅作品的创作过程中，通过对传统中国画写意山水的基本技法以及浅绛山水的研究，掌握并主动地、有意识的运用这些技法，才能创作出好的作品。当然，时代所赋予我们新的审美观念，用现代美学理念诠释的传统山水美学特征。
Literature Review:
The creation of this paper refer to the following materials:
1。 LIANG Ji-Yong "China's Qian Jiang painted ceramics Autumn" Zhejiang Photographic Press, 2005
2。 Gude Run, "Qianjiang Landscape - Chinese Painting Technique Demonstration • line drawing • Meticulous ...全部
Literature Review:
The creation of this paper refer to the following materials:
1。 LIANG Ji-Yong "China's Qian Jiang painted ceramics Autumn" Zhejiang Photographic Press, 2005
2。
Gude Run, "Qianjiang Landscape - Chinese Painting Technique Demonstration • line drawing • Meticulous • freehand" Hubei Fine Arts Publishing House
3。
Xu Xuan Sun Xin a "How to Qianjiang painting landscapes of the" Shanghai Painting and Calligraphy Press, 1996-12
4。
Wang middle-aged "New Mustard Seed Garden of painting (landscape articles Qianjiang Landscape)" People's Art Publishing House 1999-03
tp: / / Baidu Image Search Kwai trip record。
Topics of the purpose and meaning:
The first "Pastoral Miscellaneous Xing" impressionistic landscape painting techniques through the attempt to choose a painting for his own style and made her own personality and color preferences, to complete a landscape painting freehand。
Add own color preferences (Qianjiang) and choose to paint the basis of geographical features of content (the performance of Shek Wu Fan Chengda love of his hometown quiet pastoral life of leisure), plus its own right with a written tradition and public understanding of landscape painting and modern landscape house create an innovative concept of learning both the Song, Yuan-nan were both landscape technique also Qian Jiang Qing porcelain colors and reflect the modern aesthetic concept of home style works。
The second in the first "Pastoral Miscellaneous Xing", after the completion of its own ideas, try painting in China, the development pattern of inheritance and innovation is talking about, based on the creative direction of their own experience and to do further exploration, create a "line spring Zayong" reflect the love Shek Wu Qing Dynasty landscape, making a lot of literati in the Qing Dynasty have come one after another, Shek Wu the top of the mountain line Chunqiao fame doubled。
Fight on the basis of previous work into a right understanding of traditional techniques as well as a deeper understanding of the performance of home style ability to be strengthened。
Research programs:
Two works in the creative process, through the traditional Chinese landscape painting impressionistic landscapes of the basic techniques, as well as Qian Jiang research, grasp and actively and consciously apply these techniques in order to create good music。
Of course, the era gives us a new aesthetic concepts, concepts with modern aesthetic interpretation of aesthetic characteristics of traditional landscapes。
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